SMSL DO200 Pro Review

 

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Comparison

vs. HIFIMAN EF499

I haven’t reviewed the new EF499 yet but I think it deserves a fair comparison to the DO200 Pro. The EF499 is an R2R DAC. Apart from that, it has both USB-B and C inputs, a network input and of course, it also functions as a complete DAC/Amp solution. It doesn’t have the HDMI ARC support of the SMSL offering and doesn’t have a remote or an LCD screen. Yet, if you plan to get a desktop DAC to use with your headphones system, you don’t. need those features so it all comes down to your particular usage scenarios. 

Nevertheless, when used as a pure DAC, the EF499 offers great performance for the money. The R2R system provides great musicality and organic tonality. It also provides a more satisfying bass performance. The only thing that doesn’t keep up or surpass the SMSL is the sound-stage performance, where the DO200 Pro provides a spacious landscape. The Hifiman to me still has the better texture though.

Conclusion

The DO200 Pro certainly makes its mark as a versatile and effective home audio or desktop DAC. Its array of features, along with its competitive pricing and clean output, positions it as a strong all-in-one DAC solution. The build quality is solid, and its performance as both a DAC and a DAC + pre-amplifier is commendable.

However, a few drawbacks are worth noting. The dynamic range may not be as expansive as some other DACs in this category, and the device lacks a distinct character. If you’re seeking a DAC with a more pronounced, musical sound that adds texture and warmth, the DO200 Pro might not fully meet those expectations.

Summary

Pros:

Competitive Pricing

Sleek design and good build quality

Good spec sheet

The screen is a plus

Remote included

Clean, studio-type sound with a great background

Good staging

Cons:

No RCA cable provided

Screen navigation requires getting used to

No particular character in the sound

Could’ve been more detailed

No other colour option

Page 1: About

Page 2: Sound

4.1/5 - (40 votes)
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A keen audiophile and hobby photographer, Berkhan is after absolute perfection. Whether it is a full-frame camera or a custom in-ear, his standpoint persists. He tries to keep his photography enthusiasm at the same level as audio. Sometimes photography wins, sometimes his love for music takes over and he puts that camera aside. Simplistic expressions of sound in his reviews are the way to go for him. He enjoys a fine single malt along with his favourite Jazz recordings.

1 Comment

  • Reply August 15, 2024

    Gary Mccabe

    Well, and I know some are going to sigh at this, I use it connected to a series 20 NAD 3020 that I have lying around (using it as a pre amp) connecting to the new Fosi mono blocks for power and Dali Spektor 2 as speakers, very small room, neighbours and not a place for big, bone shaking bass.

    So, what I have noticed is RCA into NAD gives warmer, deeper “middle” at a small loss of sound stage, use balanced straight into mono blocks and you get a wider, shallower depth in the middle with less mid-range and a more “clinical” sound (which I, as an editor sometimes enjoy). I think with a more modern, “better” stereo preamp that adds warmth while retaining staging you could be on to a real winner for the price.

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