Audio Technica ATH-WP900 Review

Audio Technica ATH-WP900

The $650 USD ATH-WP900 is the latest flagship portable headphone from Japanese manufacturer Audio Technica.


The ATH-WP900 comes in for review hot on the heels of its full-size stablemates, the ATH-AWKT and the ATH-AWAS. You can check out our other Audio Technica reviews here.   

Note: Our thanks go out to Alena at Audio Technica Australia who organised to have a sample of the ATH-WP900 sent out our way for review. We appreciate the support, as always.

First-class carry-on

What sort of headphones would you pack if you could only take one solitary pair with you for an unknown length of time on a desert island? The old ‘desert island’ quandary is a nice way to make you stop and think about what the ideal characteristics of a pair of headphones are. When push comes to shove, ultimately I’d be looking to pack a pair of cans that are a) comfortable, b) reasonably portable, c) easy to drive, and of course – d) killer sounding. Audio Technica has gone and made a hot contender for the desert island survivalist’s ultimate audio companion with the release of their new ATH-WP900, their flagship on-the-go over-ear model which is available now for a not-inconsiderable but still (reasonably) attainable $650 USD.

I’ve had the pleasure of reviewing Audio Technica’s two newest line-up topping full-size close-backs already this year in the form of the ‘Kokutan’ ATH-AWKT and the ‘Asada Zsakura’ ATH-AWAS. The latter proved to be more of a hit with this particular reviewer’s ears despite its lower price tag ($1,399 USD vs $1,899 USD), thanks to its more engaging, richer timbre. Having been impressed by both headphones in terms of both their build and technical prowess, I was naturally keen to see what sort of ‘trickle-down’ abilities would find their way into the diminutive portable-oriented WP900, but also managing my own expectation in advance, as surely certain corners must be cut in order to be able to fit the WP900 into your carry-on luggage…right? 

Audio Technica ATH-WP900

It’s a little ironic to be reviewing a pair of portable headphones at a time when there’s not much…um…porting(?) going on these days thanks to a little bug known as COVID-19. This time last year, I had already racked up around 75-odd flights between work and personal travel, and a dedicated pair of high-end on-the-go cans would have made a bunch of sense at the time. Travel complaints aside, any sense of ‘compromise’ in the new ATH-WP900 (let’s just go with WP900 here on in) was quickly dispelled soon after taking these lightweight beauties out of the box. Not only do we have a contender for the ultimate portable headphones on our hands here from the legendary Japanese audio house, but perhaps a contender for the most all-round, versatile headphones going around. Desert island headphones indeed? Let’s find out. 

Audio Technica ATH-WP900

ATH-WP900 overview

The WP900 is a lightweight, over-ear pair of closed-back headphones, featuring a pair of all-new carbon-coated 53mm drivers with an impedance of 38 ohms and a sensitivity of 100 dB/mW. Each WP900 is handmade by individual craftsmen at Audio Technica Japan, and their pièce de résistance in the aesthetics stakes being their signature wooden earcups featuring a flame maple finish, provided by Japanese guitar manufacturer Fujigen. As a guitar player myself, they really are reminiscent of a sunburst maple guitar-body finish and look a million bucks in the flesh. The WP900 is good-looking enough to court second glances from those nearby without looking flashy or ostentatious. They look artisan, for lack of a better word, and give you the distinct impression that their business is making music – of the analogue variety. 

To ensure the WP900 is as versatile as possible in portable use-cases, Audio Technica has equipped it with a pair of supplied detachable cables, each measuring 1.2 metres in length. One is a single-ended cable terminated in the ubiquitous 3.5mm jack, while in a nod to the future the other supplied cable is finished in a 4.4mm Pentaconn jack – the new balanced standard being adopted by the likes of Sony, Sennheiser as well as Audio Technica. I, for one, think that 4.4mm is both far more sturdy than 2.5mm balanced, and far more wieldy than 4-pin XLR. Hopefully, it becomes even more commonplace in the near future.  

Head over to page 2 to hear more about the ATH-WP900’s build & comfort.


Matty's a musician, music-fan, and 'gear-phile' from Sydney, Australia. Outside of his day-job in creative advertising, Matty enjoys live music, lawn bowls, craft beer, and spending far too much money collecting vinyl.


    • Reply September 14, 2020

      Rob Stivers

      I have to agree with you on this one. I’m so happy someone has finally reviewed these headphones. They first caught my eye at CES in Las Vegas back in January. I listened to every headphone I could find at that show and thought the WP900s were the best I heard by a large margin. In fact, I kept coming back to the AT booth to hear them again. Fantastic headphones and those wood cups are arrestingly beautiful in person. Great review, Matty.

      • Reply September 14, 2020

        Matty Graham

        Thanks Rob! They really do leap out and demand you take notice of them, they’re very easy to like.

    • Reply September 14, 2020


      Can one hear it so differently than other? I had the impression that these are bass light from majorhifi review:
      “The WP-900 delivers only a moderate amount of bass presence. Perhaps not enough for some. And overall, there’s little warmth in the low end. Instead, the bass profile is characterized by speed and tightness. And it’s a light and impressively clean profile.”
      and than your words: “They reach deep, and they hit hard. The WP900’s bass is ever so slightly on the bloomy side of the equation”
      I am torn apart now 😀 must try for myself, but thank you anyway, I really like them, the looks, form factor, should be good for traveling.
      Thank You!

      • Reply September 14, 2020


        Unless they’re comparing them to Mr Beats by Professor Dre, they must have a defective unit on their hands.

    • Reply October 23, 2020

      Craig A Sands

      Anyone know an exceptional case for these, surprised with such a beautiful finish such poor cables and case, sounds amazing though

      • Reply October 27, 2020


        A good question Craig – I’m sure there’s plenty of aftermarket options in terms of cases, although AT’s A2DC cable does make cables a trickier proposition. I think I’d be looking for a 4.4mm extension cable for general hifi use.

    • Reply October 27, 2020


      I share the sound impressions of the fun yet slightly non technical bass, lower midrange dip, and pretty big diffuse soundstage. Treble explanation is also spot on.

      Although I hear a very slight fizzyness in the treble due to the lack of dampening, wood housing or driver itself I assume. I sometimes feel the edges could be crisper, the whole headphone has a sliiiight organic tilt. Despite the minor colder low mids. But those mids keep them very uncongested which is great.

      This review is spot on and obviously written by an experienced headphone pro. Bravo.

      • Reply October 27, 2020


        Hi Luca, thanks for taking the time to read mate. As it turns out, I missed these so much after I sent the review pair back that I decided to actually buy them!

    • Reply November 16, 2020


      Thanks the great review! The AudioQuest NightOwl Carbon is a bit older now but how would these compare?

      • Reply November 17, 2020


        Thanks Damian. It’s been a while since I last heard the NightOwls, but they are most definitely a much ‘darker’ sounding pair of headphones as well as being far less portable.

    • Reply December 17, 2020

      Mike I

      Hi Matty,
      How do you compare them with the Grado’s you like also so much: GH1 and Hemp?
      Thanks again for all your excellent reviews !

      • Reply December 18, 2020


        They couldn’t be more different, but at the same time they’re extremely complementary of each other. The Grados have forward mids and lower treble, whilst that region takes a back-seat in the WP900. The WP900 is far bassier, and of course – it’s closed-back.

        Cheers for reading & commenting!

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