What impressed me most is the details, fast transient, excellent control, and the richness of the sound. The T1 sounds very rich throughout the whole audible spectrum. Tonal balance is good, from deep bass to top octave, I didn’t hear any distracting hump and valley, only a little bit of shallow-wide hump in the 5-8 kHz region, which only become prominent with some bright recordings. I found the tonal balance to be perfect for most classical recordings.
Although the T1 tends to sound bright, it’s not too bright for me. The treble region, especially above the 8 kHz region, is just perfect. Very clear and transparent, extended high to top octave. While lower to middle treble, sometime may sound a bit too prominent with some bright recording. With bright recording, such as bright vocal, the hump in the 5-8 kHz region sometime makes the vocal sounds too forward for my taste. For that case I prefer to use the equalizer in Foobar or iTunes to bring down the 5-8 kHz region around 2-3 dB to make the vocal more natural to my ears. With those bright recordings, the Sennheiser HD600 and the Shure SRH840 may sound better without an equalizer, as those headphones relatively sound darker than the Beyerdynamic T1. On recordings with distance miking vocal like those in classical songs, I found the tonal balance is just fine, no equalizer needed. For classical recordings, the 5-8 kHz hump makes the vocal sounds more lively and involving.
For most of the songs in album Open Your Ears by Chesky Records, I don’t find myself needing to use the equalizer. But for track 3, John Hammond – Get Behind the Mule, the harmonica sound, at 2:20 and onwards, without an EQ to bring down the 5 kHz to 10 kHz region by 2 dB, may sounds a bit harsh. On track 6, Rebecca Pidgeon’s Texas Ranger, Rebecca’s voice sounds almost sound sibilant with no equalizer on. While on track 9, Richard Crooks’s Percussion Test Imaging, I don’t need any equalizers as the cymbal sounds perfect and very realistic, without becoming harsh, and has a very natural decay. The T1 deliver the dynamic of the percussion realistically with excellent speed and body. I can also feel the depth of the room in almost 3 dimensional effect as the microphone distance increases. Very good imaging indeed.
Although the T1 might be sensitive to bright recording, it doesn’t make normal recording sounds brighter. For example, on Sara K’s Cover & Made in the Shade always sound right with a good tonal balance. The T1 has the ability to reveal the character of the recording quite well, although it tends to sound bright, but it is pretty transparent in revealing the character of the recording.
denging
• Warm, strong bass, and smooth sounding amplifier, with good imaging and detail resolving ability, would be a good match for Beyerdynamic T1
mike, what would you think of pairing this beauty with WooAudio6 (winsome's) and certainly with His own beauty (Sophia Princess), do you think Beyerdynamic T1 could reveal its full potency with this setup… thx mike
Mike
I think the T1 can be a good pairing with the WooAudio6. At this moment I haven't even heard the heapdhone, man. 🙂
Personally I'd go with the Burson HA-160 though. From reading the review above (it was done by Bram, not me), I have a feeling the HA-160 and the T1 can be a superb pairing.
The WooAudio6 is great if you prefer a weightier sound with a lot of vocal in your music.
HC
Hello Mike,
Thank you for the great review.
Will there be a comparison between the T1 and HD800?
Possibly HE5s as well?
Mike
Hi HC, you’re welcome, but actually Bram wrote this one.
I’ll definitely be writing on the T1 and the HD800, and maybe even with the HE5s. From what I’ve read, it looks like the T1 and the HD800 will satisfy different types of people. The HD800 would be more relaxed sounding, bigger soundstage, where the T1 — from what I’ve read, I can’t help thinking that it sounds like a perfected Grado RS1 type of sound, though perhaps not as forward.
Shahrose
Hey Mike, I was expecting an HD800/HE-5 comparison as well 😉
I know you'll get to it sometime, I'm looking forward to it.
Earfonia
Yup, I'm waiting for HD800 comparison as well 🙂 Hopefully we can hear it from Mike next week.
Mike
Now that's easy. I've done those. 😉
http://www.headfonia.com/?p=1442
and
http://www.headfonia.com/?p=1696
glac1er
Thanks for the great review, Bram. The pictures and the review are mouthwatering 🙂
Earfonia
Thanks Glac1er! I just realized that my impression might makes people think that T1 sounds bright, it is actually slightly brighter relative to the headphones in comparison, but for my musical preference, T1 is actually sounds natural, not bright, it's just the treble sounds very rich 🙂
Earfonia
Thanks to dw1narso who reminded me to mention that the Sennheiser HD600 used for comparison in this review is the old HD600 with old driver, which according to those who have tried, sounds thicker in the mid bass – low mid region compared to the new version of HD600.
Jose
Greetings Mike!
"Warm sounding amplifier with good and strong bass, and smooth treble would be a good match for the T1"
I have read good impressions of the T1 with the EF5, which is pretty much the amplifier you described there. Have you tried them together yet?
Mike
Hi Jose,
I actually haven't even touched the T1. 😉 It's sitting in a box at my house, but I haven't had the opportunity to listen to it. Talk about too many gears and not enough time to enjoy them.
I'll let you know when I get the chance. 🙂
Jose
Great, can't wait.
Fei
Hello Mike, I own the Grado RS1 and it’s truly engaging IMO. Would the T1 provide similar signature as my Grado? Or would I miss the excitement of my current cans?
Anonymous
Hi Fei,
The signature of the RS1 and the T1 is not quite the same, but one thing
that is certain is I don’t think you’ll feel the T1 to lack the
excitement your Grado gives. It is just as lively and engaging, punch,
attack and everything, and the T1’s Tesla driver is far superior to the
RS1’s in term of resolution. But still, Grados have their own magic, so
even though the T1 “sounds better” on paper, in reality I can’t say if
you’ll like it more than the RS1.
But ultimately I think you’re already looking at the right direction
with the T1.
Fei
Thanks Mike.
Did you mean the magical mids of Grado?
Does the T1 as forward as Grado in presentation?
Meanwhile, if I’m looking at orthodynamic direction, what would be your recommendation?
Many thanks.
Anonymous
Fei,
The mids is not going to be the same as the Grado, and it’s kind of hard
to say if the T1’s mids is “magical” like the Grado. The T1 is indeed
quite forward, but again it’s not going to be the same as the Grado. I
mean, they are two different headphones with different technology from
two different companies.
If you’re looking at an ortho, my suggestion would be the Hifiman
HE-500. The mids are one of the best I’ve heard perhaps only second to
the Omega 2, and I would even rank it as being better than the RS1.
Fei
Thanks Mike.
Does the HE-500 have all the punch, attack, liveliness and engaging experience of the RS1 and T1? That’s gonna be a winner then.
Anonymous
Not quite the same attack, but the HE-500 is just as lively and engaging.
Fei
More polite then? Is there any amp you could think-off that able to add some dose of attack and aggressiveness toward the HE-500?
Last question, out of various amps you’ve tried which one works great with the T1? Tube or SS? How’s the final sound signature of that pairing?
Thanks so much Mike.
Anonymous
It’s not as if the HE-500 lack an attack, not at all. But if you’re looking for a rock headphone the T1 is sharper and does the job better. On the other hand you’re not going to get the sweeter HE-500 mids with the T1. I think it comes with the voicing of the headphone.
What I am saying is that the HE-500 will be better for Eagles, Diana Krall and such, while the T1 for Aerosmith, Linkin Park etc. You probably can’t get a headphone that can master both genres equally well as the type of music is very different. The O2 has an even sweeter mids but the attack is even less.
So again, I don’t think your objective should be for a perfect headphone here, but as you’ve enjoyed the RS-1 with all its limitations, I think you’ll enjoy both the T1 or the HE-500.
T1 works great with both SS and tubes. I can’t say what the final signature sounds like as there are so many different types of tubes and solid state, but I enjoyed the T1 out of the Zana Deux the most, and with the Manley Stingray second.
Geeraerts Frank
If it is at least slightly or realy better than the 990 /600 ohm than it is OK for me!………….much off so called on the bright side or a sibilant caracter is due to the revealing capacity off those headphones off the quality off the signal……tha’s where it goes wrong……..and not in the Beyer..Most judge the poor quality of wat you put in it withouty understanduing that it goes wrong alsewhere………..whenever i heard a Beyer DT 990 going wrong it always was the source material witch failed…………be sure……..you better get it wright before using something to good foor your system…………………..
Carlo
Hi Mike,
What solid state amp would match well with the T1?
Thanks
Anonymous
I recommended a friend of mine to go with the Asgard from schiit.
Carlo
Thanks, Mike.
Guest
Hi Mike,
I tried the Beyer T1 with Lavry DA11. It’s sounds very artificial and not smooth
Mike
Yes not the best pairing. Try some tube?
What recordings?
Ted
should make a review of the Beyer T1/A1 combination. I heard the precision is out of this world.
Mike
Thanks Ted.
The T1 is a very precise headphone. The A1 and A2 amps on the other hand, are not the most precise amplifiers around. They sound warm and nice though.
Canadian Maestro
Decent storyline. But get some proofreading. The English is atrocious.
Dave Ulrich
Many of the writers for this site are not native English speakers.
George Lai
They may not be native English speakers but the website is a godsend to readers in terms of content, frequency of updates, communication with readers, etc. Long live the King.
Dave Ulrich
The content of the reviews always comes across clearly. Not sure what else matters.
dalethorn
Many of my coworkers in Irvine California are Asian and not native English speakers/writers, and there is only a relatively small adjustment needed to connect our individual dialects. You should try to imagine many U.S. “native English speakers” from the South Bronx trying to communicate with people from rural South Georgia (u.s.) – hilarious!! But for Headfonia, the communication here has been as good as or better than what I experience at work in California. So no worries!!
L.
Thanks, I guess. Check out what Dale and George said
alan tan
I’m going to try the T1 with schiit magni, don’t know what to expect, cause schiit support team said it will power the T1 more than enough
Dave Ulrich
It will have enough juice for the T1.
meh
are the T1 and T90 pad the same?
L.
Good question. I would think so size wise but I have no clue if it is the same fabric
meh
do u think the size of the pad would fit the trio(770/880/990)?
dalethorn
At Beyer they have a ‘990V’ earpad for the 880 and 990, and they have a ‘990S’ earpad for the 770. It suggests they may be interchangeable, but you would have to ask them.
Igor Sheykin
Diameter is the same, but pads are very different. T1 have round shape in cross-section, while T90’s close to normal triangle. Fabric is also different.
dalethorn
My T90 (90th Anniv.) pads are covered by a very smooth fabric, and my T1 pads have a slightly rougher fabric. Underneath the fabric they seem to be the same, since they feel (compress) the same when squeezed.
Guest
Cut frequency is the stupid thing. This headphones are perfect!
Guest
Cut frequency is the stupid thing. This headphones are perfect!
Aleksandar Kitevski
Cut frequency with eq is the stupid thing. This headphones are perfect!
Aleksandar Kitevski
Cut frequency with eq is the stupid thing. This headphones are perfect!
Igor Sheykin
What amp do you think pairs better with T1: Crack or A20?
Or may be there are better solutions in the same price range ~500€ ?
L.
The Crack for sure.
Igor Sheykin
Thank you! Still waiting for my Crack to be shipped.
off topic: How do you think, can Crack survive the flight in luggage?
L.
You mean before it is put together? Of course. Mine went from the Us to Jakarta as a DIY kit and then from there to Europe as a finished amp. All good
Igor Sheykin
Oh this is good to hear! Thank you! (I meant the finished amp)
L.
Let us know how it is when you get it
dalethorn
Get everything screwed down and soldered tight. If there’s anything loose during shipment, it will get looser.
EmilijusJocas
Igor, as i understood you are from europe – do you use skype or facebook? i would like to chat about crack and t90.